The Stained Glass Museum is delighted to have reopened its doors after a major redisplay of its 20th and 21st century collections. More works than ever before are now on display in the museum’s permanent gallery, located in the south triforium of Ely Cathedral.
As part of the redisplay, over a third of the museum’s gallery was rehung, with fourteen recently acquired acquisitions placed on display for the first time and the number of works by women artists in the gallery also increased by more than a third.
Amongst the new stained glass exhibits that can now be seen are artworks by Arts and Crafts pioneer Christopher Whall, Scottish modernist Douglas Strachan and leading Irish expressionist Evie Hone, modern post war German craftsmen such as Johannes Schreiter and Joachim Klos, as well as contemporary painter Hughie O’Donoghue RA and glass artist Grace Ayson. Supplementing the new 20th and 21st century displays are some beautiful 17th century domestic and heraldic pieces, enhancing the museum’s chronological permanent gallery which includes examples from the medieval period through to the present day.
The museum closed for a week in November to enable the redisplay, which was generously funded by The Headley Trust. The works were carried out by the museum’s small team of staff with carpentry assistance from local firm Coulsons, and bespoke metal frames provided by Neil Wilton of The Stained Glass Display Company.
Earlier this week The Stained Glass Museum marked this significant milestone in its history with celebration events and were honoured to have in attendance HM Lord-Lieutenant of Cambridgeshire Mrs. Julie Spence OBE CStJ QPM, as well as the Mayor and Mayoress of Ely, alongside many Friends, volunteers and supporters of the museum. Several artists and conservators who have designed, made or helped conserve works on display in the gallery were also in attendance. The Lord Lieutenant, Mrs. Spence, addressed attendees – and in her speech praised the efforts of the museum’s team and highlighted the museum’s importance and significance as a cultural asset.
The event also marked the official launch of an exciting new Collections Fund – and the ambition to reach £500,000 in gifts and pledges by 2029 to help care for and further develop these unique collections and ensure they are available for future generations.
The Stained Glass Museum’s collection has grown significantly in the last forty years since the museum first opened to the public. Since 2000 the collection has evolved to include many beautiful examples from a variety of secular and sacred buildings from across the United Kingdom, Europe and beyond. Many of these acquisitions were made possible with the support of the Art Fund, the V&A Purchase Fund, and many generous individual donations.
Jasmine Allen, Curator of The Stained Glass Museum says;
“This is the largest redisplay The Stained Glass Museum has undertaken since the present gallery opened in the south triforium of Ely Cathedral in 2000. We are really pleased to have been able to showcase some of the recent acquisitions we have made to enhance and diversify the collection. We now call on those who care about the future of this precious collection to consider donating or pledging to the new Collections Fund and play a part in ensuring its survival for the future!”
The Stained Glass Museum is delighted to have reopened its doors after a major redisplay of its 20th and 21st century collections. More works than ever before are now on display in the museum’s permanent gallery, located in the south triforium of Ely Cathedral.
As part of the redisplay, over a third of the museum’s gallery was rehung, with fourteen recently acquired acquisitions placed on display for the first time and the number of works by women artists in the gallery also increased by more than a third.
Amongst the new stained glass exhibits that can now be seen are artworks by Arts and Crafts pioneer Christopher Whall, Scottish modernist Douglas Strachan and leading Irish expressionist Evie Hone, modern post war German craftsmen such as Johannes Schreiter and Joachim Klos, as well as contemporary painter Hughie O’Donoghue RA and glass artist Grace Ayson. Supplementing the new 20th and 21st century displays are some beautiful 17th century domestic and heraldic pieces, enhancing the museum’s chronological permanent gallery which includes examples from the medieval period through to the present day.
The museum closed for a week in November to enable the redisplay, which was generously funded by The Headley Trust. The works were carried out by the museum’s small team of staff with carpentry assistance from local firm Coulsons, and bespoke metal frames provided by Neil Wilton of The Stained Glass Display Company.
Earlier this week The Stained Glass Museum marked this significant milestone in its history with celebration events and were honoured to have in attendance HM Lord-Lieutenant of Cambridgeshire Mrs. Julie Spence OBE CStJ QPM, as well as the Mayor and Mayoress of Ely, alongside many Friends, volunteers and supporters of the museum. Several artists and conservators who have designed, made or helped conserve works on display in the gallery were also in attendance. The Lord Lieutenant, Mrs. Spence, addressed attendees – and in her speech praised the efforts of the museum’s team and highlighted the museum’s importance and significance as a cultural asset.
The event also marked the official launch of an exciting new Collections Fund – and the ambition to reach £500,000 in gifts and pledges by 2029 to help care for and further develop these unique collections and ensure they are available for future generations.
The Stained Glass Museum’s collection has grown significantly in the last forty years since the museum first opened to the public. Since 2000 the collection has evolved to include many beautiful examples from a variety of secular and sacred buildings from across the United Kingdom, Europe and beyond. Many of these acquisitions were made possible with the support of the Art Fund, the V&A Purchase Fund, and many generous individual donations.
Jasmine Allen, Curator of The Stained Glass Museum says;
“This is the largest redisplay The Stained Glass Museum has undertaken since the present gallery opened in the south triforium of Ely Cathedral in 2000. We are really pleased to have been able to showcase some of the recent acquisitions we have made to enhance and diversify the collection. We now call on those who care about the future of this precious collection to consider donating or pledging to the new Collections Fund and play a part in ensuring its survival for the future!”
Images © The Stained Glass Museum
Vice Chair of Trustees Suzanne Phillips-Galloway speaks to guests 
Curator & Director Dr Jasmine Allen and HM Lord-Lieutenant of Cambridgeshire Mrs Julie Spence OBE CStJ QPM 
Artists Grace Ayson and Hughie O’Donoghue RA with their work ‘Damson Tree’ 
Curator Dr Jasmine Allen welcomes HM Lord-Lieutenant of Cambridgeshire Mrs Julie Spence OBE CStJ QPM
About The Stained Glass Museum
The Stained Glass Museum, the United Kingdom’s only museum dedicated to the art of stained glass, is housed in the south triforium of Ely Cathedral. The museum houses an internationally significant collection of windows spanning eight centuries, illustrating the development of the art from the medieval period to the present day. HM King Charles III is the museums Patron.
For more information on the museum’s new Collections Fund, please visit https://stainedglassmuseum.com/collectionsfund
The Stained Glass Museum, South Triforium, Ely Cathedral, Ely, CB7 4DL
For more information visit www.stainedglassmuseum.com
About The Headley Trust
The Sainsbury Family Charitable Trusts run The Headley Trust for UK registered charities for projects in the following areas: arts and heritage UK, cathedrals and major churches, arts and heritage overseas, developing countries, education, and health and social welfare.Press Contact: For further information about this exhibition please contact 01353 660347 or email the Curator, Jasmine Allen curator@stainedglassmuseum.com
